
PAST NUMBERS
Spring 2012
TEXTS
AN INTRODUCTION
by Al Orensanz
THE NATURE OF TRANSIENCE
by Cathleen Oberholtzer
ANGEL’S BURNING BRONZES COME TO NEW YORK
TOWARDS A METHODOLOGY OF ANGEL ORENSANZ
by Carlo McCormick
THE ART HAS SPOKEN
by Cathleen Oberholtzer
The yearly Affordable Art Fair has come to a close after hosting over 60 galleries filled to the brim with art from all over. The four-day event, held at The Tunnel in Chelsea, allowed patrons to be surrounded by art on both sides as they walked through the single pathway. Not only that, visitors were even able to purchase pieces they liked – prices ranging from as low as $100 to as high as $10,000, and that isn’t including the newly introduced Under $500 Wall. The fair itself is an experience, even for the casual art fan. As the director, Cristina Salmastrelli wrote the Affordable Art Fair, and other fairs, “are truly the heart of the art world, as they are the only place where galleries, collectors, professionals, and visitors come together in one place to learn and exchange ideas”.
Before even entering the Tunnel art is already on display. For this
years fair the Blik Company provided a spilling paint installation.
The hot pink installment was placed on the glass windows
and doors at the entrance of the Affordable Art Fair, giving the
appearance that someone had thrown a bucket of paint at it.
Automatically the installment draws in people passing by, allowing
the fair to reach out to even the most casual of art fans. It also
acted as a landmark for those having a bit of trouble locating the
fair. Upon entering the doors there is still attention grabbing work
before even entering the actual fair. Another installation, Story
Piles by Illiana Emilia Garcia, features what appears like chairs
falling from the ceiling, piling up on a wagon. According to Garcia,
each chair represented an individual’s life story. The installment
was also interactive, allowing patrons passing by to put their own
stories onto it. These two installments set the stage for what was
to come as people moved forward, entering the tunnel of art.
If you like what you just read please subscribe so you don't miss a thing!
#01
EDITORIAL
TEXTS
FOR SALE
by Jonathan T. D. Neil
FROM OUTSIDE
ART AFTER (THE END OF) THE BANQUETS.
by Domingo Mestre
FROM INSIDE
ALL THE ART THAT'S FIT TO DRINK
by Noah Marcel Sudarsky
CONVERSATION
MARI SPIRITO AND LIA GANGITANO AT PARTICIPANT, INC
by Juanli Carrión
Artscape
WEB REVIEW
E-FLUX
by Bosko Blagojevic
#00
EDITORIAL
FROM SURREALISM TO THE DECONSTRUCTION OF REALITY
Artscape
TEXTS
THE MINIATURE AND THE MODEL, ON THE PAINTINGS OF JOCHEN KLEIN
by Douglas Ashford
FROM OUTSIDE
TO SAY OR NOT TO SAY OR SAY IT ANOTHER WAY. ULRIKE OTTINGER’S FUNNY BOOKS.
by Ángela Sánchez de Vera
VISUAL ARTICLE
FROM SURREALISM TO THE DECONSTRUCTION OF REALITY
by Dani Sanchis
FROM INSIDE
ART AND DECONSTRUCTION. CONSTRUCTION, DECONSTRUCTION AND THE PRACTICES OF CONTEMPORARY ART
by Derek Bentley
CONVERSATION
ROBBINSCHILDS. AT THE NEW MUSEUM
by Juanli Carrión
Artscape
WEB REVIEW
MADE IN OAXACA. Creating an Oaxacan ‘Other’ under multicolored tarps.
by Saúl Hernández
© 2013 Angel Orensanz Foundation
CONNECT US